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Beyond the limit of interest - the genesis of creativity
Chmelíková, Alžběta ; Jakalová, Zuzana (referee) ; Vaněk, Vojtěch (advisor)
Artistic work is to a large extent viewed holistically - the receiver perceives the whole of the work, seeks its meaning, tries to interpret it. The final text is torn off by a thick black line from its genesis. However, just observing the development of the idea, concept, processing, or method itself is most often a more complex experience than the finished work. The course of my studies, permeated by three separate studios and by itself representing the macroclimate of an individual thinking about artistic attitude and meaning, motivated me to turn attention from the work to the course of creation. The work can be understood as a metacritical view of the creative processes, enveloping the finalized work itself, among which a structure of similarity and otherness emerges; this I will try to capture as a text in the form of a gamebook.
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Methods of narration in czech podcasts
Melmuková, Anna ; Groman, Martin (advisor) ; Štoll, Martin (referee)
This thesis focuses on methods of narration in czech podcasts. It contains an analysis of podcast formats in the form of drama podcast and documentary podcast in the context of the Czech podcast scene. The main goal of the paper is to define both of these genres, characterize their features and evaluate the ways in which they tell stories. A total of twelve podcasts were selected for analysis, on which the methods of narration will be examined. The selected podcasts are Zkouškový, Stopař, Neklid, Rozchod, Rituál, Hrana, Hranice násilí, Zhasni!, Svatebky, Základka, Pohřešovaná a Anatomie strachu, which will be analyzed on the basis of audionarratological analysis, which is based on verbal and non-verbal signs in the context of the audio medium. The results of the analysis of drama podcasts show that in their case sound design is very important. Primarily in the form of musical undertones and sound effects revealing other levels of storytelling. In all cases, their intention is to provide an authentic experience and build an attractive environment for listeners. On the contrary, the analysis of documentary podcast shows that there are two groups of documents with different approaches. The first group consists of documents based only on statements without much use of sound design, when it is mainly...
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Narration in Film
SEKEROVÁ, Lenka
The bachelor thesis deals with the issue of film narration. It compares literary with film narration and presents the narrative forms in film. The work focuses mainly on the following questions: Who is the narrator? How is it defined? Does the film even have a narrator? If so, what does it look like? The theoretical explanation is complemented by specific examples from films in which the type of film narration and its possibilities are demonstrated
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Media representation of spin doctoring in audiovisual narrative context of last fifteen years
Kopřiva, Štěpán ; Šoltys, Otakar (advisor) ; Trampota, Tomáš (referee)
This paper is dealing with media reflection (manipulative activity that is trying affect form of media texts for its own profit) which is manifesting itself in representative selection of audiovisual works. This has arisen in period from second half of the ninetieth years of 20th century to present day (namely: movies Wag the Dog, Thank You for Smoking and serial House of Cards). This paper assumes that through the analysis of this reflection is possible to learn how knowledge of possible influence of spin doctoring effects interpretation activity of audience and whole media communication. In opening, there is a definition of spin doctoring, brief outline for its history and examination of its contact points with a propaganda. After that there is narrative analysis of selected audiovisual works, comparison of spin doctor strategies in movies with existing methods of public relation and examples of manipulative influences. After that there is breakdown of media reflection of spin doctoring from position of three different theories of representation and final topic of influence of a semiotic power on form of interpretation which anticipates manipulative technologies.
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Persuasive function and its realization in the preelection spots of political parties,that in electioms in 2010 were given to the Chamber of Deputies
Korandová, Michaela ; Šoltys, Otakar (advisor) ; Klabíková Rábová, Tereza (referee)
Five political parties fought their way into the Parliament of the Czech Republic in the election in 2010 (they were CSSD, ODS, TOP 09, Communist Party and VV). Each had their election ad which was broadcast by television and inseparably belonged to their political campaign. An analysis of these media products is the research objective of this thesis. The aim is a semiotic analysis of individual subjects. The thesis strives for an objective description of the transfer of evidence and the construction of meaning in communication spots. The research focuses on complex communique of the clips, structure of the narratives and application of the persuasive functions. The analysis covers various semiotic systems differentiated into three areas - visual, auditory and language. Their mutual harmony, dominance and substitution are important factors in assessing the quality of a complex communique. The issue is also examined in terms of narrative of the spots, whereas the thesis contains description of both the story and the discourse level. This includes specific events and existents, types of statements and specifications for the position of the narrator. The description of the persuasive phenomena and their character is based directly on the above criteria. The paper concludes with a summary of the...
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Audience perception to the paradoxical narrative in the series Game of Thrones
Částová, Barbora ; Reifová, Irena (advisor) ; Hladík, Radim (referee) ; Bednařík, Petr (referee)
The thesis "Audience reception to the paradoxical narrative in the series Game of Thrones" focuses on the research of the audience and its reactions to the unusual plot twists in the series Game of Thrones producted by HBO. The Audience and its reactions to specifically selected twists were researched through qualitative methods of deep semi-structured interview which was carried out with ten respondents. "Primary" audience, i.e. the viewers who had not read any books from the Ice and Fire saga before watching the show, was choosen as a research sample for this study. Reactions of this audience are more spontaneous and unpredictable. The primary aim of the research is to find out how viewers react to the newly defined paradoxical narrative in the Game of Thrones series and why they keep watching this series despite its unusual plot twists.
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Construction of gender identity within the series Dokonalý svět /the perfect world
Mlynářová, Martina ; Reifová, Irena (advisor) ; Baslarová, Iva (referee)
The thesis analyzes the instruments of gender stereotypes reproduction and gender identity construction in Czech TV series Dokonalý svět. Is the media content gendered? With which instruments of gender stereotypes reproduction and gender identity construction is TV viewer confronted and on which levels? I use the theory of social construction of reality, the theory of the lenses of gender or the characters and narrative structure of the TV series (soup opera) to come to a conclusion. The thesis focuses on the fact that Dokonalý svět does not only reflect the stereotypes on the other hand. It confronts the standard gender orders by the comic character. The comedy character ridicules some gender stereotypes and shakes their social status.
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Postmodernism in British and American comics : postmodernist overtones in the works of Alan Moore and Grant Morrison
Holub, Martin ; Ženíšek, Jakub (advisor) ; Chalupský, Petr (referee)
The aim of this thesis is the examination and analysis of postmodernist overtones in the medium of comics. It is concerned both with the postmodernist content in comics, and comics' possibilities and attributes as a postmodernist medium. The first part of the thesis elaborates on sequential art in general and the essential elements of postmodernism, such as deconstruction, metafiction, and intertextuality, within its context. The second part of the thesis is concerned with selected postmodernist works of prominent comicbook authors: Alan Moore and Grant Morrison. Key words Comics, comicbook, graphic novel, postmodernism, metafiction, intertextuality, continuum, narration, binary oppositions, deconstruction, superhero, author, creation, Watchmen, Animal Man
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